. Though it met a tragic end, the life of Everyone I Have Ever Slept With 1963-1995 was a short and controversial one. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist of Turkish Cypriot origin and a leading member of the group known as Britartists or YBAs (Young British Artists). Everyone I Have Ever Slept With 1963–1995 (1995) ist ein Zelt, das mit allen Namen von Menschen bestickt ist, mit denen Emin je ein Bett geteilt hat. The most prolific female figure from the YBAs and one of the two women ever accepted as professors by London’s Royal Academy of Arts, Tracey Emin came to prominence as a rebellious and highly controversial artist who explored her sexuality, gender, and addiction through various media. Looking from the contemporary stance, it seems that this particular piece bounded her previously described approach and enabled the artist to plunge deeper into the analyzes of the self by implementing a much required feminist intervention. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Tracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. It is often literally interpreted as a work indicating the number of her sexual partners, but it actually goes beyond that - it also includes the names of the people with whom she just slept. And so, The Tent includes family, friends, drinking partners, lovers and even two numbered fetuses. Everyone I Have Ever Slept With 1963–1995 (pl. A year later, Chapman brothers claimed they remade The Tent, however, the public was skeptical thinking it was a stunt. Image via Wikimedia Commons. A significant number of artworks by the Chapman brothers, Damien Hirst, Patrick Heron and others belonging to the Saatchi collection were stored at the East London Momart warehouse which was destroyed in a fire in 2004. Semple claimed that among the collected debris included the fragments of Emin's tent. At that time, Emin was not that famous outside the art circles and had a chance to show her works alongside the established artists such as Gilbert and George, as well as her peers Sarah Lucas and Hirst, who had already gained media attention. . It achieved iconic status, was owned by Charles Saatchi, and was destroyed in the 2004 Momart London warehouse fire. Tracey Emin (née le 3 juillet 1963 à Croydon) est une artiste britannique d'origine chypriote turque faisant partie du groupe des Young British Artists. Nevertheless, throughout her work, she dealt with subjects that are to be interpreted from the feminist perspective; here it is also important to acknowledge the fact that the UK society struggles with centuries-old combat with sexism. It is just not fair and it's not funny and it's not polite and it's bad manners. In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. Emin’s seminal works Everyone I Have Ever Slept With 1963–1995 (1995) and My Bed (1998)—her own unmade, messy bed installed at the Tate Gallery—provocatively contributed to feminist discourse with the raw, confessional Making that work was my way at getting back at him. Førstnevnte var en applikasjonssøm hvor et telt utgjorde underlaget for påsydde tekstildeler med navnene på alle Emin noensinne hadde delt seng med, fra elskere til familiemedlemmer og hennes egne aborterte barn. These included sexual partners, plus relatives she slept with as a child, her twin brother, and her two aborted children. Featured image: Tracey Emin Everyone I Have Ever Slept With 1963–1995. The intimate memoirs of one of the most acclaimed and controversial artists of her generation. 작품은 아플리케 된 이름들이 텐트 안에 걸려있다. Everyone I Have Ever Slept With 1963–1995 (1995) ist ein Zelt, das mit allen Namen von Menschen bestickt ist, mit denen Emin je ein Bett geteilt hat. Tracy Emin´s Everyone I have Ever slept with 1963-1995 (also known as the tent) is an unmissable piece of contemporary British art created in 1995. Two years before the end of Thatcherism in 1990, an epic art event occurred in London - the first exhibition of the group called the Young British Artists, or YBAs. Carl said to me that I should make some big work as he thought the small-scale stuff I was doing at the time wouldn't stand up well. Therefore, regardless of the mentioned controversy which has more or less continually escorted the artist, the piece Everyone I Have Ever Slept With 1963–1995 stands out as a valuable example of rebellious work made by a women in the post Thactherist era which gained deserved critical attention and can be articulated in the context of the third wave of feminism. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl inside, becoming both voyeur and confidante. The important element of Emin’s practice is performativity that is inseparable from the artist’s eccentric persona, and the way she perceives the public space. Her capacity both to create controversies and to strike chords is unequalled in British life. My Bed (1998) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und Zigarettenkippen liegen. The most dominating name is perhaps Billy Childish, with whom Emin was emotionally involved for some time. 《나와 함께 잤던 모든 사람들 1963~1995》 (Everyone I Have Ever Slept With 1963–1995) 또는 《텐트》(The tent)는 1995년 트레이시 에민이 만든 작품이다. To create it, Emin appliqued the names of everyone she had ever shared a bed with onto a small tent. Anúncios relacionados a: Everyone I Have Ever Slept With 1963–1995 wikipedia Her I never dreamt it would be like this." Blant Emins mest kjente arbeider er Everyone I Have Ever Slept With 1963–1995 fra 1997 og My Bed fra 1998. My Bed (1998) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und Zigarettenkippen liegen. Before she produced the critically acclaimed installation My Bed that launched her career, in 1995 Emin made the piece Everyone I Have Ever Slept With 1963–1995 better known as The Tent. Charles Saatchi wanted to buy the work, but Emin refused to sell due to the patron’s advertising work for Thatcher administration. The tent was presented with its door open, lit from within and containing a mattress. . In 2008 during her Edinburgh retrospective show, Emin claimed that she was offered £1 million by the Saatchi Gallery to rebuilt The Tent, but that she cannot do it since it was very personally despite the fact she recreated few smaller pieces for that show. After the mentioned exhibition, Everyone I Have Ever Slept With 1963–1995 gained a cult status. Throughout the years, she constructed an authentic confessional approach that also had, depending from one project to another, certain social implication. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", [1] was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). The film follows Tracey Emin at home and abroad for one year, in a bid to chart her creative process at work. Sewing, or more accurately appliquéing pieces of fabric onto an existing object, namely a tent, is the focus of Emin’s Everyone I Have Ever Slept With 1963–1995 (1995). Tracey Emin Everyone I Have Ever Slept With 1963–95 1995 Appliqued tent, mattress and light 122 x 245 x 215 cm Photo: Stephen White. The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not necessarily in the sexual sense. One review was really funny, the journalist had written something like 'She's slept with everyone – even the curator'! Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent [1], est une œuvre d'art créée par Tracey Emin en 1995. The artists Stuart Semple and Uri Geller collected remains from the Momart fire site, packed them in eight plastic boxes covered with slogans in pink lettering, and titled the whole action Burn Baby Burn. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). The artist briefly described her position before the exhibition opening: At that time Sarah (Lucas) was quite famous, but I wasn't at all. The tent helped Emin become a … Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995. Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent, est une œuvre d'art créée par Tracey Emin en 1995. Ma formę wysokiego na dwa metry, niebieskiego namiotu (obiekt readymade, kupiony w sklepie), z oświetlonym wnętrzem, w którym wyszyte są 102 nazwiska osób, z którymi Emin spała. . While working on this piece, Emin was in a relationship with Carl Freedman, a friend, and collaborator of Damien Hirst, who showed The Tent for the first time within the exhibition titled Minky Manky at the South London Gallery. ). L'œuvre se compose d'une tente avec les noms appliqués, littéralement, de toutes les personnes avec qui Tracey Emin a … I would never laugh at a disaster like that – I just have some empathy and sympathy with people's loss. Saatchi bought The Tent anyway on the secondary market from dealer Eric Franck, for a sum of £40,000, although the artist sold it initially for £12,000. Everyone I Have Ever Slept With 1963–1995 (1995), also known as The Tent, was an artwork by Tracey Emin.The work was a tent with the appliquéd names of, literally, everyone she had ever slept with (not necessarily had sex with). Everyone I Have Ever Slept With 1963–1995 Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995. Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent [1], est une œuvre d'art créée par Tracey Emin en 1995. She has refused to recreate it. Wszyscy, z którymi spałam 1963-1995) – instalacja brytyjskiej autorki, Tracey Emin. The majority of the British public have no regard or no respect to what me and my peers do, to the point that they laugh at a disaster like a fire. L'œuvre se compose d'une tente avec les noms appliqués, littéralement, de toutes les personnes avec qui Tracey Emin a … In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. The public reaction was rooted in mockery that targeted the YBAs, especially Emin’s tent; the artist was furious due to the public reaction, so she stated: The news comes between Iraqi weddings being bombed and people dying in the Dominican Republic in flash floods, so we have to get it into perspective. 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