By continuing to use this site, you consent to our use of cookies and our. Projected simultaneously on opposite sides of the same screen, Douglas’ installation considers the Black musical traditions (blues, gospel, etc) embedded into Ayler’s composition. In others, props and décor provide clues to the geographic and historic context.In A Luta Continua, 1974 a woman in striking green t-shirt and bell-bottoms stands in front of a wall painted with the flag and logo of the Movimento Popular de Libertação de Angola (People's Movement for the Liberation of Angola), one of the key belligerents in the Civil War. Stan Douglas - David Zwirner DAILY ART FAIR. Douglas researched archival photographs, and meticulously reproduced period costumes and furnishings in his sets. The website will be permanently closed shortly, so please retrieve any content you wish to save. 06.12.2013 - SMARTMAGNA features Stan Douglas | Disco Angola | Victoria Miro Galleryimage004 Disco Angola de Stan Douglas Until April 28, 2012. The imagery takes context within the underground culture of Disco in New York and the liberation of Angola in the 1970’s. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. David Zwirner is pleased to present an exhibition of new work by Stan Douglas, on view at 525 West 19th Street. The exhibitions will mark the US and UK premieres of the piece. Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, 'Douglas's film plays with questions of ethics... but more profoundly with questions of communication.’, 'Both the structure and the subject matter of the exhibition offer an overarching sense of displacement or the uncanny. United Kingdom. In Two Friends, 1975 an uptown couple in contrasting brightly coloured outfits sit in a gold-panelled ballroom, watching the dance floor of one of the New York discotheques gaining popularity in the mid-1970s. New York was a city on the verge of bankruptcy and the burgeoning disco scene offers Douglas' protagonist respite from the gritty realities of day-to-day life. Together the images reveal subtle traces between conflict and dance and an affinity between the recently liberated Angolans and members of the New York gay community. ', 'The streets are these arteries where the people, the police and objects are all interacting…It’s not focusing on mayhem and that fascinates me.'. Playing with notions of time, veracity, and photojournalistic accuracy, Stan Douglas's latest exhibition Disco Angola 'documents' both the emergence of disco in New York City and the end of the Portuguese colonization of Angola and its subsequent civil war. Since he joined the gallery in 1993, Douglas has had ten solo exhibitions, including Midcentury Studio last year, which debuted a project created in the guise of a midtwentieth century press photographer. Stan Douglas: Midcentury Studio is available this month from Ludion and the exhibition will run at the Victoria Miro gallery from April 18 - May 12. Evolving out of funk and soul, disco made a virtue of glamour and style, reaching out to sections of the populace including the increasingly politicised gay, African-American and Latino communities. Published by Steidl. Douglas' two-channel video installation Hors-champs, 1992, is included in a group exhibition (14 September 2016 - 19 March 2017) that links the vibrant legacy of avant-garde jazz and experimental music of the late 1960s (particularly within the African American arts scene on the South Side of Chicago) and its continuing influence on contemporary art and culture today. Capoeira, 1974 shows rebel fighters surrounding two comrades practising capoeira, the martial art form that originally masqued itself as dance and in its earliest form was covertly practised by Angolan slaves in Brazil. On view until 25 September 2016. Victoria Miro does not accept unsolicited artist applications. In some images, staged scenes feature precisely choreographed gestures that hint at the relative relationships between characters. DATES. by Maria Isabela Francasca Mejia-Bruton. We're working hard to be accurate. With an introduction by by Edward Burtynsky and Jane E. Nokes and texts by Robert Bean and Dieter Roelstraete. Film and art have been inseparably linked since the invention of the medium of film. The exhibition (9 February – 13 May 2018) features around 40 international artists and explores the complex relationship between image and reality. Published in 2014, Stan Douglas is the third annual publication celebrating the winner of the Scotiabank Photography Award, Canada’s largest contemporary photography award for an established Canadian artist. By re-imagining scenes from particular historical moments, Douglas invites the viewer to challenge assumptions about the veracity of the photographic image, and particularly to call into question documentary's relationship to objective truth. In January 2017, the Aargauer Kunsthaus and the Solothurn Film Festival are devoting an exhibition (Cinéma mon amour. Galerie David Zwirner 525 West 19th Street New York, NY 10011 (212) 727-2070. It marks Doppelgänger's debut in Asia. Friendly warning! 14 St George Street, London W1S 1FE. In Angola the agendas of foreign governments, expressed indirectly through covert support of the warring factors, tragically prolonged the resolution of the Civil War by over three decades. In Midcentury Studio, Douglas' first exhibition with Victoria Miro, monochrome photographs were created in the guise of a midtwentieth century Canadian press photographer. The artist's second solo show with Victoria Miro and his first at our new Mayfair gallery.In Midcentury Studio, Douglas' first exhibition with Victoria Miro, monochrome photographs were created in the guise of a mid-twentieth century Canadian press photographer. L’artiste interroge le passé dans ses œuvres, brisant les structures narratives traditionnelles afin de brouiller les faits et la fiction. Saturated with information,... Victoria Miro is pleased to announce the first gallery exhibition of Canadian artist Stan Douglas. In the case of Disco Angola the artist assumes the persona of a fictional photo-journalist living in the mid 1970s and documenting two very different worlds: the nascent disco underground in New York and the civil war in newly independent Angola. Film in Art, 22 January - 17 April 2017) and a special programme (Art mon amour) to the reciprocal fascination between art and film. In Douglas’ Hors-champs, 1992 (on view 18 January–23 February 2019), a quartet of musicians—Kent Carter, Douglas Ewart, Oliver Johnson, and George Lewis—perform Albert Ayler’s Spirits Rejoice. Art, Photography Free. He has mined the history of narrative film and documentary photography, using and reinterpreting tropes from these genres to startling visual and conceptual effect.The photographs in the series combine the look of photojournalism with careful staging and composition. ICA University of Pennsylvania, Philadelphia. Introduction by Edward Burtynsky and Jane E. Nokes. Checkpoint, 1975 and Coat Check, 1974 offer formal similarities in their shallow arching compositions: in Checkpoint, 1974 a rope stretches across a road; on each end is bound an odd assembly of objects including a refrigerator; whilst Coat Check, 1975 depicts a selection of fashionable clothes and accessories draped over a huge sectional leather banquette in an unpopulated corner of a nightclub. Art & Photography Who, What, Why. A new immersive digital installation by artist Stan Douglas called Circa 1948 will be open to the public in September at SFU Woodward's. A conversation (22 March 2017) with the artist and Madeleine Schuppli, Director, on the occasion of the presentation of The Secret Agent, 2015. Coat Check, 1974 par Stan Douglas sur artnet. The word “grift” first entered recorded usage nearly a century after the Caraboo caper, in a 1914 dictionary of American underworld slang compiled by Louis E. Jackson and C.R. Subscribe now for full access to The Eye of Photography! The exhibition (19 January – 18 March 2018) is a synthesis of video art, documentary and music videos from American and European artists. This major exhibition (2 May – 14 October 2018) tells the intertwined stories of photography and abstract art. Conceived of as two distinct installations, each a reflection on aspects of the past year, The... Victoria Miro is delighted to be a member of Reprieve Collective and participate in Reprieve x Vortic with an exhibition of works by Hernan Bas, Kudzanai-Violet Hwami, Doron Langberg, Grayson... Before contacting or subscribing please read our. Douglas's multidisciplinary works, including films, photographs and, more recently, theatre productions, reflect on the dynamic potential embedded in pivotal historical moments. To create the staged images in the exhibit, Douglas assumed the persona of a NYC-based photojournalist who travels regularly to Angola. Découvrez plus dœuvres par Stan Douglas proposées par Victoria Miro Gallery. David Zwirner is pleased to present an exhibition of new work by Stan Douglas, on view at 525 West 19th Street. Stan Douglas has created a series of works that are staged photography with the appearance of documentary photography. View Stan Douglas’s 81 artworks on artnet. LOCATION. STAN DOUGLAS at DAVID ZWIRNER, New York. This annual prize worth $100,000 is awarded to a senior artist in recognition of their outstanding contributions to the arts. The foundation presents an exhibition (18 October 2016 - 29 January 2017) of Douglas' work, as the 2016 Hasselblad Award winner. Another Douglas exhibition entitled Disco Angola opens today at the David Zwirner gallery, New York and runs until April 28. This is so subtly conveyed in Canadian artist Stan Douglas’s Luanda-Kinshasa…'. To learn more about available works, please provide your contact information, Digital C-print mounted on Dibond aluminum, 59 1/2 x 89 1/4 inches (151.1 x 226.7 cm), To be the first to know about our online exhibitions, This site uses cookies to improve your experience. Stan Douglas Two Friends, 1975 2012 Not on view Two Friends is part of the series Disco Angola, in which Douglas assumed the role of photojournalist chronicling both the civil war in Angola and the burgeoning underground disco scene of the early 1970s in New York. For this exhibition, titled Disco Angola, Douglas has again assumed the fictional character of a photo-journalist, this time a regular in the burgeoning disco underground of the early 1970s New York. PRESS RELEASE. Text by Daisy Woodward. Nov 26, 2013-Jan 11, 2014. ', 'Beneath the film’s retro-futuristic veneer and vibrant passages of colour – a stylistic nod to avant-garde cinema – lies a pressing message for our times.'. 91,4 x 137,2 cm. Download: List of Works; Press Release ; Artist Page; The artist's second solo show with Victoria Miro and his first at our new Mayfair gallery. VIEW ON MAP. “Disco Angola” opens tonight David Zwirner, and is on view through April 28th.In May, Douglas will receive the ICP Infinity Award. Victoria Miro Mayfair is delighted to present Disco Angola by Stan Douglas, the artist's second solo show with Victoria Miro and his first at our new Mayfair gallery. Stan Douglas: Disco Angola. By sharing your details you agree to our Privacy Policy and Terms and Conditions. Stan Douglas Disco Angola. See available photographs, prints and multiples, and film, video for sale and learn about the artist. Photography is a medium that despite historical claims to veracity is entrenched in the telling of tales. 'Douglas… reveals that beneath a media reporting – which is prone to quick headlines and opportunistic characterizations – an event leaves traces that can be reassembled and rethought. Since the late 1980s, Stan Douglas has been making films, photographs and installations which analyse and go back over past events, while appropriating codes and techniques from cinema, television and press photography. The website is currently running in a view-only mode to allow archiving of the content. Épreuve à développement chromogène montée sur aluminium Dibond. Victoria Miro Mayfair is delighted to present Disco Angola by Stan Douglas, the artist's second solo show with Victoria Miro and his first at our new Mayfair gallery. Something like a computer game or a science fiction style holodeck, it is a large box in which projections of various settings -- including Hogan's Alley in 1948! Stan Douglas in The Freedom Principle: Experiments in Art and Music, 1965 to Now at ICA University of Pennsylvania ... Stan Douglas: Disco Angola The artist's second solo show with Victoria Miro and his first at our new Mayfair gallery. Stan Douglas’s latest photographs recreate two key moments from the civil unrest of 2011. Stan Douglas has been selected to represent Canada at the 59th Venice Biennale in 2022. The exhibition (27 June–26 August 2018) brings together works by seminal figures from the photographic and photojournalistic world, alongside rare archive images. Time Out says. We are also closed on Sundays, Mondays and public holidays. L’œuvre de Stan Douglas s’inspire à la fois de l’image documentaire et de la photographie pictorialiste, renforçant l’effet d’anachronisme. Print Print × Close configuration. Venice: Tuesday–Saturday: 10am–1pm & 2–6pm. Disco, an initially underground music scene, was rapidly co-opted by commercial interests that brought the scene into the mainstream, alienating many of its early adherents. Stan Douglas : Disco Angola Victoria Miro, Mayfair 23 November 2013 - 11 January 2014 Review by Yvette Greslé . The exhibition, held as part of Yebisu International Festival for Art & Alternative Visions (7–23 February 2020) considers notions of time as explored in art and imaging. One of the first disco hits was Soul Makossa, a 1972 song by Cameroonian saxophonist Manu Dibango, and the African continent as a whole provided an inspiration for much of the music and fashion that defined the movement. In Angola the agendas of foreign governments, expressed indirectly through covert support of the warring factors, tragically prolonged the resolution of the Civil War by over three decades.Throughout his career, Douglas has examined and analysed how the visual imagery of popular culture and documentary functions to reveal social and political truths about particular places and historic moments. 16 Wharf Road. Stan Douglas: DISCO ANGOLA. Before contacting or subscribing please read our Privacy Policy. Il s’approprie les codes et les techniques existants dans le cinéma, la télévision ou la photographie de presse. Both subjects are displayed parallel to each other or opposite the other in an exhibition for a more direct comparison. But these are unusual times, … Since the 1980s Stan Douglas has reappropriated key moments from history, precisely examining political, social... Victoria Miro is delighted to present new works by Chantal Joffe. Depuis les années 1980, Stan Douglas crée des films, des photographies et des installations explorant les paramètres de leurs médiums respectifs. The exhibition (1 November 2019–1 March 2020) examines the relationship between music and society, and is at the same time a reflection on the media of film and photography. All Items ; Items I Want ; Purchases ; Cart ; Record Store Day ... Stan Douglas’s Luanda-Kinshasa depicts a fictional 1970's jazz-funk band engaged in a seemingly endless real-time jam. For Douglas's alter-ego, the new scene offered a cathartic respite from urban grittiness in a city on the verge of bankruptcy. Stan Douglas Disco Angola. Stan Douglas: Disco Angola. 'The plot wittily hinges on a phrase that reads differently depending on where you’re sitting: the Marxian LIVE REIFIED TIME or, in reverse, the satanic EMIT DEIFIER EVIL.'. 525 West 19th Street (between 10th Ave. and West St.) NY 10011 New York Disco, an initially underground music scene, was rapidly co-opted by commercial interests that brought the scene into the mainstream, alienating many of its early adherents. Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. The exhibition at Carré d’Art has featured series of photographs taken between 2008 and 2013 (Mid Century Studio, Disco Angola, Crowds and Riots). You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. Victoria Miro Gallery. Blake Gopnik. Since he joined the gallery in 1993, Douglas has had ten solo exhibitions, including Midcentury Studio last year, which debuted a project created in the guise of a midtwentieth century press photographer. Fine art photographer Stan Douglas assumes the character of a fictitious photojournalist for his latest body of work, called Disco Angola, now on display at the … A solo exhibition by the celebrated Canadian artist Stan Douglas, featuring the UK premiere of a new multi-screen film installation along with a series of large-scale photographs. Updated Jul. Evolving out of funk and soul, the disco lifestyle mobilized the gay community in particular, and its self-conscious embrace of glamour and fashion represented a departure from the previous decade's counterculture. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. The Daily Pic: Stan Douglas pretends his photos were made 40 years ago. Disco 3,149,339; Synth-pop 2,898,179; Soul 2,597,913; Buy Music . 23 November 2013 - 18 January 2014. Victoria Miro Mayfair. Disco Angola offers visitors to Chelsea’s David Zwirner a glimpse into the fictional recreations of photographer Stan Douglas.Douglas reconstructs historical periods as a means to upend the validity of photography … Jointly acquired by PAMM and the Los Angeles County Museum of Art, this film depicts a fictitious band of professional musicians at the famed CBS 30th Street Studio in 1970s New York City. Part of the Centre Pompidou's 40th anniversary celebrations, this exhibition (6 October 2017 – 14 January 2018) features Douglas' Hors-Champs, 1992. London. Douglas' Klatsassin features in Intersections (29 October 2016 - 6 February 2017), an exhibition framed as a series of visual and experiential intersections – a place and/or space where two or more lines of inquiry converge or cross. We respect the choices you make about how you would like to hear from us. Stan Douglas shows Disco Angola – Daily Pic By Blake Gopnik. Living in New York, Douglas' photographer travels back and forth to Angola to report on the civil war that broke out in 1974 following a bloodless coup d'état to end Portuguese rule.The exhibition presents six works from the series, three based in Angola and three in New York. Des images issues de quatre séries nous sont présentées : Disco Angola, Crowds and Riots, Midcentury Studio et Corrupt Files, le travail le plus récent de l’artiste. The Julia Stoschek Collection Berlin presents an exhibition of works by the renowned Canadian artist Stan Douglas (*1960, Vancouver). David Zwirner is pleased to present an exhibition of new work by Stan Douglas, on view at 525 West 19th Street. For more information about available works contact [email protected]. Subscribe to the weekly AnOther newsletter. Since he joined the gallery in 1993, Douglas has had ten solo exhibitions, including Midcentury Studio last year, which debuted a project created in the guise of a midtwentieth century press photographer. May 4, 2012 - Read the latest stories about LightBox on Time The artist talks racial profiling, riot porn and why he’s fascinated by ‘ruptures in the status quo’ In the two-channel video, an astronaut and her doppelgänger are sent to two different planets; one is welcomed, and the other is treated as a potential foe. From these culturally and geographically incongruent communities emerges a subtle dialogue that encompasses self-expression, liberation and culture.The works in Disco Angola are all dated from 1974 or 1975, a pivotal moment in the history of global political economy: the Bretton Woods monetary regime had collapsed, the 1973 oil crisis was just abating, global markets were enduring the worst crash since the great Depression and the rapprochement between the US and the Soviet Union was breaking down. ArtSlant has shutdown. Hellyer. The chapter provides an examination of how the photographs by Stan Douglas use disco—the discotheque as a place, disco as the music that is played and heard in that place, and disco dancing as the social dance form that occurs in that place—and the rebel insurgency in Angola to suggest that fictional reenactments address an alternative approach to the false separation of history from time. Hasselblad Foundation, Gothenburg Museum of Art, Sweden, '....Indeed, if there is a theme to this wonderfully various show, it is the resurgence of history in the present. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Kung-Fu Fighting, 1975 par Stan Douglas sur artnet. Much as he did with his paean to midcentury photography, Douglas here assumes the role of a fictional photographer—this time as a lensman who documented the mid A medium that despite historical claims to veracity is entrenched in the exhibit, Douglas assumed the persona of NYC-based... 2,597,913 ; Buy Music be sent to info @ victoria-miro.com respect the choices you make how! To announce the first gallery exhibition of new work by Stan Douglas crée films... Of bankruptcy furnishings in his sets linked since the invention of the content uses that feeling of different! 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