Thes Moog Sub Phatty is the newest in a long line of fine synthesizers made by Moog Music. The Moog Sub Phatty Analog synth is not as versatile as say a Yamaha Montage 8 when it comes to features unfortunately. I have a Sub Phatty and just had a conversation with a guy who bought one of the first Sub37s. That way, anyone looking to get up-to-speed quickly with the unseen aspects of the instrument could paste it up on the wall for a while as a handy visual reference point. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration. Moog Sub Phatty review This entry was posted in Uncategorized on April 17, 2014 by jfingaz123 While this review is in no way intended to be a complete explanation of what Sub Phatty has to offer, I will do my best to outline the experience of using it for the modern musician. But a digital display to manage those functions would have certainly driven up the cost of the synthesizer. Apart from being one of the controls you're most likely to reach for sound-wise, Moog has enhanced the size of that particular control to drive home the notion of the panel as a performance gateway as well as a sound-shaping interface. And that compressed form will also be a welcome thing in a small project studio where space is always a premium. Warm, rich sound. With marketing showing wizened synthesists getting excited about the new circuitry, there clearly is something going on here. WHY WE LOVE THE MOOG SUB PHATTY. The sounds are large and full, and the classic Moog filter makes the sounds come out in a creamy and smooth way. This makes travel and being mobile very easy, and that is one of the many strengths of the Moog Sub Phatty. It also tidies up a few of its rough edges, so can there be anything not to like about the 37? Moog Sub 37 vs de concurrentie. The Sub 37 is that synth on steroids – and more. 25 semi-weighted keys; 100% analog signal path. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate" Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. Even in a cluttered home studio where the air conditioning tends to fluctuate throughout the day, the Sub Phatty's tuning is rock-solid, whether measured digitally or by a trusty tuning fork. By how much is hard to say, but once you've taken the time to delve further into the many parameters that are waiting to be unlocked under the hood, the trade off appears reasonable. It’s a subtractive synth with a familiar layout but there are several tweaks that Moog’s designers have added to give the synth more interest. It's already baked into the mixer section where the knobs dial up to 12 (sorry Nigel...). It has various features and capabilities that you would not otherwise get on another synthesizer, and that makes it special. Please refresh the page and try again. It combines the classic, hands-on control of vintage Moog instruments with a dynamic and ultra-gritty new sound engine. To do this, you first press the Bank 4 and Activate Panel buttons simultaneously to enter Shift mode. The style of the keyboard is quite beautiful in its own respect, and while it may not initially look like it, the board is actually quite small. For this review, I will be covering a Moog product called the Sub Phatty. The Sub Phatty is an excellent proposition : it is magnificently built, proposes many direct commands, memory, the genuine Moog sound plus new sound colors, thanks to the mix level that lets you saturate the filter, the sub-oscillator which reinforces bass and to … By pressing the Bank 4 and Activate Panel buttons simultaneously, users suddenly have access to 51 additional controls that include physical control reassignments and other parameter adjustments. As well as those who are mildly confused by its implementation, Shift mode has its proponents. Moog has always been known to pay attention to detail on the little things that matter, but especially the sound quality which in fact is no “little thing” at all. You could argue - and some will - against Shift mode, especially when you take note of the amount of dead space around the Pitch and Mod wheels. If you want that rich, inimitable Moog bass at a reasonably affordable price point, the Sub Phatty is a great choice. great sounds and can be very Minimoog on a lot of settings. 31 knobs and 13 switches giving you direct and immediate control over the synth, 2 ultra-stable variable-wave shape oscillators, and a s, quare-wave Sub Oscillator in mixer section. The Moog Sub Phatty was launched at NAMM 2013 and drew a lot of interest as any new Moog synth is likely to. To further distinguish it from the other Phattys in the line, which already feature an Overload control, Moog has now tacked on what it's calling a Multidrive circuit. Typically, I prefer synthesizers that have a flattop design. The patch points, including power, audio in/out, CV inputs, MIDI, and USB, are located on the left panel towards the rear of the instrument. Moog’s Sub Phatty was certainly a hit with MusicTech’s editor Andy Jones when he reviewed it 18 months ago. Reminds me of a Korg MS-20, but with Moog sound. 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